#amwriting by KJ

It’s very rare for me to demand that the readers of my #AmReading substack pre-order something. And the bar to be my “Just One Book” is high. But here we go:

In this Write Big episode, Jennie Nash is joined by AJ Harper, author of Write a Must-Read: Craft a Book That Changes Lives—Including Your Own, to talk about a more meaningful way to define success as a writer. AJ shares her concept of writing a “Top Three” book—one that becomes a reader’s personal favorite, the kind they keep forever, recommend constantly, and return to again and again. Together they explore why chasing external metrics like speed, bestseller lists, or book deals can distract from what really matters, and how focusing on writing something truly beloved often leads to those wins anyway. Links from the Pod:

Hello and welcome to Nerd Corner with Sarina and Jess! I love these episodes because I will never, ever know as much about the publishing industry as Sarina Bowen, and I learn so much from her. This week, she answers a question she got from a listener, paraphrased thusly:

In this Write Big session, Jennie Nash talks with podcast co-host Sarina Bowen about what it really feels like to finish a book—especially the anxiety and pressure that can come with “finishing energy.” Sarina shares a powerful mindset shift: there is no summit in a writing career. You may reach the end of a draft (or even launch day), but the work doesn’t magically get easier—there’s always another book. The key, she says, is learning to love the hike itself and stay connected to your curiosity so you can keep showing up.

Anyone who ever listened to Jenna Blum do interviews on the A Mighty Blaze podcast will not be one bit surprised to hear that we had a great time talking all things writing but most specifically writing BIG—which Jenna has absolutely done with her current book, Murder Your Darlings. Murder Your Darlings is a contemporary thriller and a real departure from Jenna’s very popular historical fiction—a departure that’s totally in keeping with Jenna’s own enthusiastic, passionate personality. As her agent said, her earlier work was elegant and restrained (although still powerful) but in this one Jenna lets herself loose. We had a wonderful time talking about it, and I know you’ll have a great time listening.

This is a Bonus Episode, which means that it doesn’t have any of the beautiful audio engineering from our amazing team.

In this Write Big session of the #amWriting Podcast, Jennie Nash talks with author and book coach Janet Fox about a powerful decision: buying back the rights to her first novel and reissuing it on her own terms.

It’s the December Booklab, and while our booklabs are normally only for subscribers, we’ve made this one free as a little present to you—something to listen to while all the other pods are having a well deserved break.How this works: we’ve chosen two among the brave souls who have submitted their first pages (i.e. first 350 words) to us. As always, we read the page aloud, with no other information other than genre and (sometimes) title. We talk about what we read, how it was received, what we think we do and don’t know about the book and what we should know. We offer constructive comments to these writers, and to all writers, on how to make that first page work as hard for you as it can.

Most writers start revision by re-reading their manuscript from page one — but that’s the least effective way to improve a book. In this episode, Jenny explains a clearer, more strategic way to revise using the Blueprint and the 3D Revision Process. You’ll learn how to step back, see your book with fresh eyes, and create a plan that actually moves your manuscript from good to great.

It’s on again!

Rachael Herron’s latest: The Seven Miracles of Beatrix Holland, is, truly and in so many ways, the book only she can write. It pulls from every part of her life: identity, spirituality, a love of what’s magical in the world, her joy in crafting and her understanding of community and family. I, of course, wanted to know: how did you find the guts to put it all on the table?

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.

In this Write Big session, Jenny Nash shares a story from her business mastermind about what it looks like to “play big.” From asking for help to boldly joining the conversation, Jenny shows how these small but brave moves apply directly to the writing life—and why writers need to see themselves as entrepreneurs. A quick dose of inspiration to stop playing small and write like it matters!

Hi all! In honor of Thanksgiving, we decided to share what we’re doing to get MORE of what we’re grateful for in our writing lives—as in, try not just to give a nod to gratitude but actually increase the things we do to feel it. Enjoy!

Jenny Nash builds on her conversation with Mary Laura Philpott to highlight a crucial truth: writing for yourself and writing for readers are two very different things—and they need to happen at the same time. Start from passion, but bring market intention in early, because it shapes everything from structure to genre to how your book will sell. Define your goals up front, so you’re not left frustrated later.

In this #amwriting podcast Write Big session, Jennie Nash talks with author Mary Laura Philpott about the surprising choice she made after her acclaimed book Bomb Shelter—to stop writing on purpose. Mary Laura shares how, after pouring everything into that project, her gut told her she didn’t need to rush into another, despite the pressure of “what’s next?” from the industry and readers. This conversation reframes writing big not as chasing ambition, but as honoring your gut and giving your whole heart to whatever season you’re in—even if that means not writing at all.

Jess here. Sarina and I discuss audiobook narration this week and explain how narrators get hired, paid, and dish some inside baseball on audiobook production.

In this #amwriting podcast episode, Jennie Nash talks about what it means to “play big” on the page. Using Ian McEwan’s choice to write his latest novel without research as an example, she shows how true impact comes when a writer fully owns their story and brings it to life with depth and intention. She encourages listeners to think about their own top five most powerful reads, notice what made those books unforgettable, and aim to create that same sense of bigness in their own writing

Hey all, Jess here.

In this episode, Jennie digs into the sneaky ways writers “play small”—circling endlessly around an idea, polishing the same chapters, getting lost in research, or waiting for perfect timing instead of taking real action. With stories from her years as a book coach, including one writer who finally broke free from years of fear and went on to become a full-time author, Jennie shows how smallness hides behind busyness and perfectionism. She challenges you to spot where you’re holding back and take the courageous step toward playing big.Transcript Below!

In this episode of the Write Big series, Jennie unpacks what it really means to “write big”—not chasing bestseller lists or movie deals, but making the bold internal shifts that bring your truest work to the page. Through stories of writers daring to name their ambition, rebuild drafts, honor personal truths, and even reimagine entire projects, Jennie shows how writing big looks different for everyone but always comes down to honesty, courage, and clarity.

Jennie kicks off the new Write Big series with a conversation about what it really means to stop playing small in your writing life. If you’ve ever felt the tug to bring more of yourself to the page—or wondered why your words aren’t landing the way you want—this episode will spark reflection and give you permission to choose courage, clarity, and creativity in your work.

Kate Rope’s new book, Strong as a Girl is not only well-written and thoroughly researched, it includes the voices of so many girls and young women. In this week’s episode, Jess talks with Kate about how she managed to secure interviews with these girls, get permission to use their voices, and manage the paperwork around all those releases.

THE SCAMS. They’re getting wilder and wilder, and harder and harder to spot up front or even before you hand over the cash, if the scammer is faking a service you’d have to pay for. We’re all getting these endlessly in non-writing life too, the ticket you didn’t get, the recruiter who isn’t one… I had a friend get a VERY real one that looked like it was from her town, about an existing work permit for work they were doing. The tell in that case was that it asked for a wire transfer, and in that town, you wander into town hall, hand them a check and also explain that you really paid that meter but you hit the wrong button for a car on ParkMobile.

Here’s this week’s episode, which we accidentally tucked behind the paywall in the first send. Friday #AmWriting is always free—but if you’re already a paid sub, thanks! And if not… maybe now’s the time?

Hey ho, welcome to the Publishing Nerd Corner, where we dive into the more technical aspects of authorship.

Jess here. My guest this week is Jeff Selingo, an author and speaker I’ve admired for a long time. His work on college, college admissions and the transition to work and life in emerging adulthood are essential reads for anyone looking to understand what want and need in higher education and life.

This week’s episode explores how to tap into your unique creative genius and align it with your values to become the writer you were meant to be. Jennie Nash and Dr. Diana Hill, a clinical psychologist, dive into the Wise Effort Method. Hear about Diana's journey of overcoming her book writing challenges and how Jennie guided her through unleashing her writing genius. They also discuss how to clear mental blocks, focus creative energy, and integrate daily rituals to enhance your writing process — and your life.

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen’s novel, The Spy Coast, and Sarina reassured KJ she’d enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I’d heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I’m not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen’s spies and the world they inhabit. There’s a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader.

Hey writers! Sarina here!

How dare you? That’s the first question KJ asked Ally Carter, whose name is “synonymous with hilarious action and heart-pounding romance” (TRUE). Is KJ outraged? Hell no. It’s a legit question. Ally’s books are so so much fun, with wild action scenes befitting a Bond movie (or a Jason Bourne, OBVIOUSLY) and plots that trot the globe while dancing backwards in high heels and KJ really wants to know—how did Ally give herself permission to just go there? To write the dreamy, wild, sure it could happen but also we don’t even care because we’re so in it story that scares many of us (especially ex-journo KJ, who wastes far far too much time on such non dramatic questions as “but how would someone with that job pay for health insurance? and “technically, how much snow could that unit make in one night?).

Sarina’s second thriller is now out. It’s a twisty thriller with a single-mom protagonist and some deep, dark secrets. It’s called Dying to Meet You and it is creepy in the best possible way.

Jess, Sarina, Jennie and Jess are all here to talk about taking a break from various angles: the mechanics angle, the guilt angle, the fear angle, the identity angle and inspiration angle.

When Sarina found Stephanie Pao on social media, she knew she had to interview her. Stephanie has the job we all want—she owns a bookstore on wheels. La Fleuria is L.A.’s first mobile romance bookstore, and we are here for it.

One of the writing skills I am asked about the most is, “How do I get emotion on the page?” People ask this no matter what genre they are writing, because no one wants to produce a manuscript that is flat and unengaging. Emotion is the key, but figuring out how to inspire your reader to feel something is a tricky thing to learn and an even trickier thing to master.

I’m a big fan of Nathalia (Nat) Holt’s books, and am so excited to have the opportunity to talk to her about her new book, The Beast in the Clouds: The Roosevelt Brothers' Deadly Quest to Find the Mythical Giant Panda.

Our goal words, as a reminderSarina: presenceJess: growthJennie: Teflon™KJ: inner compass

This is the how-to book you need right now, the one with “am I ready to query” and “what does my platform need to look like” and “what if no one buys my book” and “what happens if someone buys my book”. We have a great episode, talking about creating this book, writing this book and living this book—because Kate McKean is not only a very experienced agent, she has also lived the answer to all those questions and that’s part of what makes it special.

Karen Dukess’s first book, The Last Book Party, was wildly successful by any measure—sold at auction, Indie Next pick, Discover New Writers pick… you probably read it. The second…

Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not.

Greetings writers! Sarina here.

Hi all, Jess here. This episode was Sarina’s idea, and when you listen you will understand why. It can be hard to focus on the work, whether it’s editing, world building, conjuring meet cutes, or translating research-based hope for the next generation. That said, it’s important that we keep creating and putting our words out into the world. We hope you are able to keep working while navigating the a balance between consuming, processing, and reacting to the news cycle and shutting the world out in self preservation.

Jess here with Sarina Bowen to help simplify and demystify author contracts. Let’s start off with a wonderful resource called The Authors Guild. They have sample contracts on their website

When a former NYT journo who now writes novels (that would be me, hi) gets together with a current NYT journo now writing novels, they—we!—cannot stop talking about the challenges, advantages, schedules, pros and cons of book leave and what it is about fiction that lights some journalists up, and turns some off. It’s the good, the bad and the overcome-able, and a class in how people who know they can get the work done also flail, and yet still get the work done.

Hi #AmWriting listeners, Jennie here! Today, I'm talking to Jane Friedman, who is one of the most trusted voices in the world of publishing.She has advised and served organizations such as Writers Digest, The Chicago Manual of Style, The Editorial Freelancers Association, the Alliance of Independent Authors, and the National Endowment for the Arts, among others. She writes two must-read newsletters for industry professionals. One is her personal newsletter, and the other is The Bottom Line (previously called The Hot Sheet), where she provides nuanced market intelligence to thousands of authors and industry professionals. The reason I wanted to speak with Jane on the podcast today is that she has just released an updated version of her book, The Business of Being a Writer, which digs into the nuts and bolts of the writing life, including the work of getting published and choosing how to do that, and the work of making money. It is one of those must-read books for writers who are serious about making a mark.

Hey listeners: This week, everyone gets a taste of what paid supporters will get more regularly—a special Booklab: First Pages episode. Each month (and sometimes more often), we’ll choose two “first pages” to review. A first page, for our purposes, is the first 350 words of your book—fiction, non-fiction or memoir. We will read the page aloud on the podcast and discuss with a single thought in mind: Would we keep reading?

Social media is all aflutter over an article by Alex Reisner in The Atlantic: The Unbelievable Scale of A.I.’s Pirated Books Problem. In this episode, Jess and Sarina cover the news and its ramifications for authors.

Michael Dante DiMartino graduated from the Rhode Island School of Design with a BFA in Film and Animation. His directing credits include the primetime animated series King of the Hill, Family Guy, and Mission Hill. DiMartino is the co-creator of the award-winning animated Nickelodeon series Avatar: The Last Airbender and its sequel, The Legend of Korra. From 2002 to 2014, he served as executive producer and story editor for both series. He continued Korra’s story as the writer of the graphic novels Turf Wars and Ruins of the Empire. His other projects include authoring the fantasy novels Rebel Genius and Warrior Genius as well as creating and writing the Audible Original fiction podcast, Sundown: A Time Capsule Society Mystery. His latest novel is the YA coming-of-age story, Both Here And Gone.

Let me start with this: if you have any interest at all in literary magazines or small presses, you want this book: How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses. It’s a wonderful book and a great guide, and will lead you into this world and help you feel good about your journey without your getting lost in the universe of scattered information that’s available online. We’ve included a ton of links to that scattered universe below, but I encourage you to buy the book, which will ground you in your own journey.

There are many misconceptions about what a hybrid publisher does or doesn’t do, and why it may or may not be a good choice for a writer. I thought hearing from a hybrid publisher directly would be educational for our audience, so I’m pleased to be speaking in this episode to Dr. Nick Courtright, CEO of Atmosphere Press.

Hey ho, Jess here. This week, all four of us discuss some of the happenings out there in the publishing world.

Hi listeners! Sarina here, with a topic that has been on my mind for years. When I began my career, everyone told me I had to develop a “thick skin” to do this job. But it turns out that a “thick skin” is one of the only things you can’t buy on Amazon.

“If the language isn’t there, I have difficulty showing up for the idea” - Jenny Anderson

Do you have a Doubt Monster? (Doesn’t everyone?) Amy Bernstein is an Author Accelerator certified writing coach, an #AmWriting Blueprint Challenge coach, a writer, a creative coach and many other things—but for our purposes, the author of Wrangling the Doubt Monster—a delightful book that you can open on any page for help wrangling your own doubts into something that you can live with, in the vein of Steven Pressfield’s The War of Art or Gretchen Rubin’s Outer Order, Inner Calm. In this episode we talk—what else?—doubt monsters, declaring ourselves as writers and all the ways we live with our self-doubt and write anyway.

One of the things I think we do well with on this podcast is addressing the long game of writing. It’s not just about writing a good book or pitching one or selling one, but about the work of doing it over and over again, of succeeding and failing, of PERSISTING. That’s why I love this conversation with Tiffany Yates Martin, who is an author herself under the penname, Phoebe Fox, but who also for 30 years has been a developmental editor working with major publishers and New York Times, Washington Post, and USA Today bestselling and award-winning authors. She is a respected leader in the writing education field and my friend and colleague. Her new book, The Intuitive Author: How to Grow and Sustain a Happier Writing Career addresses the long sweep of a writing career. And I think there's a lot for all of us to learn from this book and this conversation.

“I put my effort into building trust, showing up, and being present for people who have opted into my universe.” A slight paraphrase of Jennie Nash

I’m Sarina, and I’m a business nerd.

Hi #AmWriters, Jess here. I’ve been wanting to do an episode on workbooks forever - on any form of companion text that pairs with nonfiction books, really. How do you propose them, write them, format them? You know me, I like the granular details. Fortunately, Ned Johnson and Dr. William Stixrud are publishing The Seven Principles for Raising a Self-Driven Child in March, and Ned was willing to come on the podcast and teach me all about the nuts and bolts of putting a workbook out into the world.

Essay collections—readers love them, but publishers and editors are often unconvinced. Jennie and KJ talk to Amy Wilson about getting that contract, finding the through line and writing a book about pleasing people while also remembering to please yourself.

Hi #AmWriters and subscribers to Jess’ content, Jess here, looking out my office window over a beautiful, snowy Vermont Sunday and thinking of you. We do these things called “Lahey Cafe” days in the Lahey household and we have one coming up this afternoon. Back when my husband and I were in graduate school and never got to spend time together away from the books, we would go to cafes (Caribou Coffee on Main Street in Chapel Hill, NC was our favorite) and spend time together while studying. We kept this practice up once we had kids and now our daughter (a college student) asks for them regularly when she has essays to write or studying to do at home. Today, I’m serving up a King Arthur chocolate babka I baked yesterday, the wood stove is burning, and we will all sit at the dining room table with tea and coffee and chocolate-stained fingers while we work on our respective projects. I’m still slogging away on a book proposal, so that’s my task at the Lahey cafe.

This episode is about a #amwriting win!

We cover last years’ goals, and which of us feel great and which feel… less great. (And the audio is also less great, because 3 of us gathered in our local library and the acoustics/HVAC system noise were less than ideal.)

Today, I'm so excited to talk to my friend, Rosa Kwon Easton, about her debut novel, White Mulberry.

Do The Blueprint With Us This Winter!

Regular listeners will recognize the Blueprint for a Book—a method of inquiry Jennie Nash developed to lay a strong foundation for books in any genre that’s not about the craft of writing or building an author platform or any of the steps that come later in the writing life. It’s about understanding what you are doing and why you are doing it so that you can have clarity and confidence.

Jess here, hosting my entire extended family for the holiday weekend and sending love to you and yours. Enjoy this #WriterGift flashback!

It is of course the inimitable, the unconquerable, the inexhaustible Jo Piazza, all of whose adjectives require me to use spell check. I am a long time fan of Jo, and she’s been on the pod before—see also Episode 393, I Want to Sell Books, But I’m Also Writing What I Want to Write. She is the author of, most recently, The Sicilian Inheritance and coming soon, Everyone Is Lying to You, which started out as a serial in her weekly email/Substack, Over the Influence. She’s also the host of a great podcast, Under the Influence.

The Anxiety is Real

Today we’re talking about the need for a writer to be resilient over the long haul of a career and my guest is A.S. King

I couldn’t resist the subtitle, kids, sorry. It’s not that shocking—but Tim’s journey was definitely only for the bold.

Hi all! Jess here. When I wrote my first book proposal (for The Gift of Failure), I had a foggy idea of what a “comp” was. A book just like the book you want to publish, right? Not exactly. Comps are a really important part of pitching any book - nonfiction or fiction - because it helps an editor understand your vision for the book and consequently, what the publishing house’s vision for the book could be. What does the market for this book look like? Who is on the shelf already? Why is this book similar or different?

About once a season, I have a speaking experience that doesn’t go exactly the way I want it to, but I’ve learned how to keep these experiences (and the negative feedback that can result) from keeping me awake at night while fueling positive change. Well, that once-a-season occurrence happened earlier this fall, and it felt awful. I usually text Tim or KJ and Sarina with, “well, that felt off” and they reassure me that the audience probably did not notice, and sometimes - sometimes - that’s true. Whether the audience noticed or not, I did, and I need to walk off stage feeling like I nailed it, that I reached people, planted seeds for positive change, and made the best use of the audience’s (and my) time, not to mention the client’s investment of time and money.

“As I said in my earlier email, you have so much to work with here. First off, your premise is gold. Easy to summarize, clear conflict, big stakes. I’m envious! When you’re ready, agents are going to sit up and take notice—which is all the more reason to have a rock solid thing to give them when they ask (and they will ask—don’t send a single query until you have a full, completed, polished manuscript ready to press “send” on, because I think you will get requests immediately).”

KJ here, team. In this episode, Jennie asks the questions, and I walk us through the whole thing from start to finish—the options, the renewals, the moment we thought we were getting the rights back and the big calls that finally convinced me this was really going to happen—and then of course what it’s like when it DOES.

Sarina here! There was a scramble over who got to interview Lyndsay Rush about her poetry, but I raised my hand first.

Hello #AmWriters! This week, I’m answering a bunch of questions we received via amwritingpodcast@gmail.com and our #AmWriting Facebook group. Here’s to flattened learning curves!

Is it time for me (this is KJ) to start a new novel? Not quite-quite-quite, but that time is coming. There’s a decent chance that the novel I’m working on now will be finished, in the now-we-try-to-sell-it sense, soonish. And that will take some time, and maybe it won’t happen (I know, you think I’m just saying that but no, it’s really quite possible). Even if it does, at some point very soon that will be out of my hands for long enough to start working on something new—and if I’m lucky, that will co-incide with November and National Novel Writing Month, which is my favorite time to write a 55K word draft that probably will contain approximately 1737 words that end up in an actual novel but that seems to be part of my “process”. I think my process is a raging dumpster fire but out of the ashes arise books so fine, this is how I do it.

Hey writers! I’m Jennie Nash — and this is the #amwriting podcast, the place where we talk about writing all the things: short things, long things, fiction, non-fiction, pitches and proposals. 

It all Started on the ‘Book

Hello #AmWriters! Jess here at the beginning of a very busy fall speaking season, coming to you from the northwest corner of Indiana. I’ve talked to you before about the nuts and bolts of my speaking work, but I thought it would be fun to bring you along with me and talk about the things I pack, plan for, and think about when I’m on the road.

The title of this episode comes from a great George Michael quote that Sarina reminded us of and one that I now think about all the time: People thought I wanted to be seen as a serious musician, but I didn’t. I just wanted to people to know that I was very serious about pop music.

Hey writers! Maybe I say this all the time, but this episode is GREAT. Remember how in Episode 402 I asked the question for the ages: How Bad Can a Good First Draft Be?

Writing BFFs Alison Hammer and Bradeigh Godfrey were thirty days away from a publisher deadline for their third book when the news came down: change this book from women’s fiction to romance.

Hi! Jess here. I just finished Catherine Newman’s new novel Sandwich, and I’m feeling a lot of feelings. I expected Sandwich to be great because I love everything Catherine Newman writes, but it was a balm for a wound I did not realize I was nursing.

It’s SO SO EASY for creatives to get caught up in chasing after praise and approval to boost their own mood and productivity. How can we spend less energy "borrowing self" from other people's reactions, and more energy pursuing what's important to us? KJ asks Kathleen Smith, author of True to You: A Therapist's Guide to Stop Pleasing Others and Start Being Yourself, to help us find our true writer-selves at all the moments when all the other opinions and demands and pseudo-beliefs beckon. The goal? Hanging up a mental sign that says “currently closed to imaginary commentary.”

We only meant to dissect the success of the writer from this NYT piece briefly, but it turned out we had a lot to say. No, we can’t all imitate her (nor do we want to) but there are things to be learned here. And things to be learned by checking in on your goals at mid-year! How’s it going out there?

The Blueprint is a process of inquiry that ideally happens before you start to write a book, but is also incredibly effective before you start to revise a manuscript or if you happen to be stuck writing chapter three, or thirteen, or thirty-three over and over again.

The #AmWriting team is so excited to present this interview with Dr. Barb Mayes Boustead – because it’s an #AmWriting success story!

Hello #AmWriters, Jess here. When Rosalie Haizlett emailed to introduce me to her work, I was intrigued. At the time, I was working on the marketing section of a book proposal, trying to thick- and thin-slice the book’s potential audience and explain why my fanbase as well as new readers might purchase this particular book I was describing. So when Rosalie emailed to tell me about her forthcoming book, Tiny Worlds of the Appalachian Mountains: An Artist’s Journey my head exploded. How do you convince a publisher to let you write about such tiny worlds, no matter how beautiful your art and eloquent your writing? Rosalie generously answered my questions in the spirit they were asked: with a genuine love for small presses, books about very specific subjects, and wonder for her process and her end product.

Let me start by answering the question posed in the title: very bad. Very very bad. Terrible, even. Plotless meandering senseless drivel involving two-dimensional characters continually lifting cups of coffee to their lips and then never putting them down and suddenly, without warning, pumping gas instead. Although, to be honest, that last is never my personal problem. My (incoherent, emotion-less, inconsistent) characters tend to meticulously move around a reasonably clear, if poorly described, landscape. They speak in full, grammatically correct sentences. They even banter and they’re often quite entertaining as they go about doing completely the wrong things for the wrong reasons.

It’s EPISODE 401! That’s a lot of episodes. We’re proud. We’re also not done—and a couple weeks ago, a fellow writer decreed, in an email post that went rather viral, that No One Buys Books.

Today, I (Jennie) am excited to welcome novelist Caroline Leavitt to the show.  She's a very prolific author who's novels have landed on the New York Times bestseller list, the USA today bestseller list, and have been optioned for films, translated into many languages, contents for magazines, and won all kinds of awards.